Fictions of disease in early modern England cover

Fictions of disease in early modern England

by Margaret Healy

"How did early modern people imagine their bodies? What impact did the new disease syphilis and recurrent outbreaks of bubonic plague have on these mental landscapes? Why was the glutted belly such a potent symbol of pathology? Fictions of Disease is a unique exploration of the stories laymen and physicians constructed around such bodies, producing a fascinating cultural imaginary of bodily disorder. Healy argues that these narratives not only shaped visions of unhealthy social bodies, but had profound political consequences too. City spaces, social and religious structures, economic initiatives, and drastic decisions about how to cure the disease at the head of the English body, were fashioned by circulating fictions of 'plaguy', 'pocky' and 'glutted' bodies. Ranging from the Reformation through the English Civil War, this original approach opens an important new window of understanding onto the period's disease-impregnated literature, including works by Shakespeare, Milton, Heywood, Dekker and others."--Jacket. "How did early modern people imagine their bodies? What impact did the new disease syphilis and recurrent outbreaks of bubonic plague have on these mental landscapes? Why was the glutted belly such a potent symbol of pathology? Fictions of Disease is a unique exploration of the stories laymen and physicians constructed around such bodies, producing a fascinating cultural imaginary of bodily disorder. Healy argues that these narratives not only shaped visions of unhealthy social bodies, but had profound political consequences too. City spaces, social and religious structures, economic initiatives, and drastic decisions about how to cure the disease at the head of the English body, were fashioned by circulating fictions of 'plaguy', 'pocky' and 'glutted' bodies. Ranging from the Reformation through the English Civil War, this original approach opens an important new window of understanding onto the period's disease-impregnated literature, including works by Shakespeare, Milton, Heywood, Dekker and others."--BOOK JACKET.

Chappie’s discussion starters

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  1. Which character stayed with you after you turned the last page, and why?
  2. Was there a moment where you disagreed with a character’s choice? What would you have done?
  3. What theme did this book keep circling back to — and did it earn its ending?
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  5. Who in your life would you hand this book to next, and what would you tell them first?