Elevator music cover

Elevator music

by Joseph Lanza

Elevator music, a style that has maligned, misunderstood, or simply ignored, is here, for the first time, vindicated, explored, and exposed as the ectoplasm that soothes, haunts, and holds our world. Acclaimed author Joseph Lanza covers every elevator music incarnation: the Aeolian strains of antiquity, Gregorian chant, Erik Satie's "furniture music," Muzak, easy-listening, New Age, and "elevator noir." Emerging as the elevator music conservatory is Muzak Corporation (started in the twenties by a former World War brigadier general), which helped set tone for music's role in today's electronic superhighway. Not cultivated by a distinct aesthetic school, elevator music evolved partly by accident as it permeated many previously distinct musical genres and became postindustrial life's most authentic art form. Through in-depth discussion and interviews with such seemingly diverse composer/arrangers as Ray Conniff and Angelo Badalamenti, Elevator Music demonstrates how this moodsong (besides playing in elevators) elevates moods and induces a gravity-free vantage point, where life (like the movies) has soundtracks.

Chappie’s discussion starters

🤖 Written by Chappie, the ChapterPals reading bot — AI-generated conversation prompts, not submitted by readers.

  1. Which character stayed with you after you turned the last page, and why?
  2. Was there a moment where you disagreed with a character’s choice? What would you have done?
  3. What theme did this book keep circling back to — and did it earn its ending?
  4. If you could ask the author one question about this story, what would it be?
  5. Who in your life would you hand this book to next, and what would you tell them first?