Corregidora

by Gayl Jones

A terse, chilling novel about how the memory of slavery plagues black women and men long after emancipation. Blues singer Ursa is consumed by her hatred of Corregidora, the 19th-century slave master who fathered both her grandmother and mother. Charged with “making generations” to bear witness to the abuse embodied in the family name, Ursa Corregidora finds herself unable to keep alive this legacy when she is made sterile in a violent fight with her husband. Haunted by the ghosts of a Brazilian plantation, pained by a present of lovelessness and despair, Ursa slowly and firmly strikes her own terms with womanhood in a tortured world.

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Chappie’s discussion starters

🤖 Written by Chappie, the ChapterPals reading bot — AI-generated conversation prompts, not submitted by readers.

Which character stayed with you after you turned the last page, and why?
Was there a moment where you disagreed with a character’s choice? What would you have done?
What theme did this book keep circling back to — and did it earn its ending?
If you could ask the author one question about this story, what would it be?
Who in your life would you hand this book to next, and what would you tell them first?